When You See Me Again It Won t Be Me
DOI:
https://doi.org/10.6092/issn.2421-454X/8362Keywords:
Twin Peaks, audiovisuality, storytelling, Tv set series, David LynchAbstract
On its debut in 1990, David Lynch and Mark Frost'southward Television series Twin Peaks aired during the "multichannel era" on the broadcasting aqueduct ABC, i of the three free-to-air US Telly networks at the fourth dimension. ABC imposed major plot developments, east.k. the revelation of Laura Palmer'southward murderer early in season two, which the two creators intended to go on the mystery unsolved for a much longer fourth dimension. For the revival of Twin Peaks (2017, during the digital era), distributed by Showtime, Lynch and Frost created a more complex audiovisual product. The Twin Peaks revival was realized with far more authorial liberty, due to the indisputable celebrity of Lynch and the possibility—fostered by the subscription-based premium cable platform Showtime—of aiming at a niche audience, a possibility that George Gilder foresaw in 1990. As a outcome, not only Twin Peaks – The Return's plot is much more circuitous than in the outset 2 seasons, only it likewise proves how idiot box in the digital era can lead to the cosmos of audiovisual narratives that fully exploit every audiovisual semiotic level.References
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How to Cite
Susca, C. (2018). "When yous see me again, it won't be me". Twin Peaks from the Multichannel Era to the Digital Era. Serial - International Journal of Tv Series Narratives, 4(2), 103–110. https://doi.org/10.6092/issn.2421-454X/8362
Issue
Department
Narratives / Aesthetics / Criticism
Source: https://series.unibo.it/article/view/8362
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